Landscape Stories by Jem Southam
Essays by Gerry Badger and Andy Grundberg
A Blind Spot Book, published by Princeton Architectural Press
Clothbound, 12.75 x 11.75 inches, 156 pages,
90 four-color photographs
ISBN 1-56898-517-7 $75.00
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Early in the morning, before breakfast and the
beginning of the workday, photographer Jem Southam
takes to the countryside of southwest England,
visiting and revisiting the hills and dales of
Bristol, Cornwall, Devon, and Somerset.
His lyrical photographs of these places, taken in
series over long periods of time, chart the subtle
evolution of this picturesque countryside as it has
been transformed by both natural processes and human
intervention. Ostensibly topographic and descriptive,
each achieves a greater power thanks to an allegorical
language that draws on our collective imagination.
Landscape Stories is the first comprehensive
collection of Southam's work, drawn from three
completed series: "The Pond at Upton Pyne." "The Red
River," and "Rockfalls, Rivermouths, and Ponds," along
with several smaller groups of pictures from series
still in the making. Southam's brief narratives about
each site—together with essays by Gerry Badger and
Andy Grundberg, which examine Southam's work from
European and American perspectives,
respectively—create a rich context for viewing these
remarkable, large-format photographs.
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Blind Spot Books produces elegantly designed, sumptuously produced works of artistic
and literary significance. Blind Spot Books uses the same uncompromising productions standards and
the finest printing available for the series. Each book is treated as a creative medium that celebrates
the integrity of the best in art and literature.
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Jem Southam was born in Bristol in 1950. He currently resides with his family in
Exeter and is the Head of Design: Photography Department at the Exeter School of Art and Design. Aside
from The Shape of Time, Southam has produced other series of works, most recently, The Raft of Carrots (1992),
small scale works which have been described as "a catalogue of chance encounters," and The Red River (1982-1987),
which depicts the hard-scrapple legacy of mining in Cornwall and reflects on the mythology constructed around the
perception of landscape.
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Gerry Badger is a photographer, architect, and photographic critic. He has written extensively for the photographic
press, and has curated a number of exhibitions, including The Photographer as Printmaker (1980) for the Arts Council of Great
Britain, and Through the Looking Glass: Postwar British Photography (1989) for the Barbican Arts Centre, London. He has just
completed (with Martin Parr) Volume One of The Photobook: A History, and written the text to a major monograph on the Berlin
work of John Gossage, Berlin in the Time of the Wall.
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Andy Grundberg is a writer, curator, teacher, and arts consultant whose work of the last 25 years has been
focused on elucidating photographyıs crucial roles in art and visual culture. Grundbergıs writings have appeared in the
New York Times, as well as a number of other publications including ArtForum, Art in America, American Photo as well as
Metropolitan Home and British Vogue. He has also written for a number of art books including Mike and Doug Starn, a survey
of the artistsı collaborative photo works and Alexey Brodovitch a monograph on the graphic designer.
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